Download scientific diagram | Score extract from Gyorgy Ligeti’s Devil’s Staircase, representing the TSU Endless trajectory. Reprinted with kind permission of. A really interesting point that I absolutely love about this piece is the fact that there is almost always an upwards movement, trying to escape. So this week I decided to study “The Devil’s Staircase”, by Hungarian composer, Gyorgy Ligeti. The piece is heavily technically difficult as well.
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Often they are not full lines either, but dashed lines very often in the middle of the page, as that seems to be the only consistent place they are. Please log in using one of these methods to post your comment: I remember having the same P. In stave 3, the bass takes on the role of being a percussive driving force. Haydn — Symphony No. As the piece goes on, the ascending sections reach higher and higher closer and closer out of hell?
Makes sense to me. Any way I could ask for a copy of the score? You are commenting using your Twitter account. Please log in using one of these methods to post your comment: Ligeti was a piano player, this is clear from some of the incredible dexterities required of the piano player.
Usually virtuosic pieces do not particularly enthrall me, as I usually find that there is not a lot of musical content or meaning behind them. This is a blog for staff and llgeti in the Composition Program at Monash University. We hope that over time the blog will provide useful hints and ideas about the creative processes of syaircase.
In his second etude Ligeti follows this tradition by using the interval of a fifth. A great listen, I recommend. Here, each of the pianist’s hands seems to be moving in a different space.
We hope that over time ,igeti blog will provide useful hints and ideas about the creative processes of composition. You are commenting using your WordPress. The piece is heavily technically difficult as well as heavily metaphorical.
Create a free website or blog at WordPress. All in all, I got a lot out of studying this piece — I really enjoyed the musical metaphors that were used in this piece, and I found this piece thoroughly entertaining for this very reason.
To find out more, including how to control cookies, see here: The Piece ascends and ascends to the extreme upper pitches of the piano. It also demonstrates the composers interest in American minimal music. By continuing to use this website, you agree to their use. Again, the imagery this conjures is that the journey begins again — the fleeing soul has made it half way, and has now been thwarted, and must again begin stairccase journey.
To find out more, including how to control cookies, see here: Thanks to our partners and sponsors: You are commenting using your Facebook account. In addition to a video recording of each work, the interactive scores include introductions and performing suggestions as well as film sequences from staicase and previously unpublished remarks and explanations from the composer. It was with the piano collection Musica ricercata that the Hungarian composer laid the foundations of an individual musical language in the early s.
The very consistent and constant pulse throughout the piece remains intact, as the highest notes are played at extreme dynamic levels, when, all of a sudden, this consistency is destroyed, with a sudden shift to a very long and slow bass chord played at the lower extreme of the instrumental range.
Ligeti Etude The Devil’s Staircase | Monash Composers
By the last third of the first stave, the piece still moves polymetrically up and down the piano, but the intervals begin to narrow, and as a result, this subtly thickens the texture. By continuing to use this website, you agree to their use. Leave a Reply Cancel reply Enter your comment here We intend to keep a record of our study, thinking and compositional projects to document our work, show the world outside what we do and invite comment.
Here the composer restricts his musical material — with the exception of the final bars — to a single note: You are commenting using your Twitter account. In case of emergency. This is until there is a sudden and unexpected mood change. After over two minutes of constant pulse and movement, flowing upwards, and over 20 seconds playing the highest notes on the piano at very high dynamic levels, there is a sudden shift to a very long and slow bass end chord sequence.
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This includes many moments of crossing over the hands, and large leaps and spans. The way the piece is actually divided is into large bars of 36 beats, which are then further divided into 3 bars, but this division is asymetrical. We intend to keep a record of our study, thinking and compositional projects to document our work, show the world outside what we do and invite comment.
This bonkers Ligeti etude could be the loudest piece we’ve ever heard (it has EIGHT fortes)
For me, the images created within this piece, are generated by the use of the initial leaps of 2 octaves and a 6th — perfectly imitating the physically disjunctive motion of walking up the stairs. The piece, staircasf far, seem to lean towards this point, and one might expect a climax, but in bar 18, the consistency of texture, and pitch material drop instantly — much the same as bar stave 3.
It demands not only the greatest possible hand control but also an infallible sense of tone stairacse as well as extraordinary powers of perception. This is a blog for staff and students in the Composition Program at Monash University.
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