Download Short Description. Download Eugene- Description. a Marcel Moyse IMAG Image by Eugene Bozza (). For solo flute. Published by Alphonse Leduc (). Eugène Bozza () enrolled three times at the Paris Conservatory, studying Bozza’s Image, Op. 38, for solo flute was first published in , although.

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Reference editions such as the Grove Music Dictionary have very short entries or sometimes no entries whatsoever.

Bozza’s music has largely been a critical and popular success. His style was normally highly accessible to listeners, students, and academics; and he composed such a mass of solo and chamber music that his name is commonly heard in studios.

As part of the prize, he lived in Rome at the Villa de Medici for the following four years and five months so he could focus on growing as a composer, developing a voice, and honing his art.

Though a trained violinist, Bozza wrote an enormous amount of music for winds during his life. Norman Heim, professor of clarinet at the University of Boza, may have encapsulated the success of Bozza’s work with this:. There are over known published works as well as a wealth of manuscripts.

Eugène Bozza – Wikipedia

He married Juliette Arnaud, his first wife, in and had a son, Pierre, in By using this site, you agree to the Terms of Use and Privacy Policy. Bozza was born in to an Italian musician and a French boaza in the coastal town of Nice, France. This compositional history lends itself as a partial explanation to the popularity of Bozza’s music in academic institutions. From Wikipedia, the free eugsne. Paris ConservatorieP. Since that instrument has fallen to obscurity, this solo is now frequently played on bass trombone or tuba.

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His work transcended the metropolitan mentality and he felt the music would be well served in this more pastoral area.

Beginning in the mids, Bozza published at least one new work each year until just a few imave before his death in He divorced Juliette Arnaud in the early s. His compositions can be placed within the Neo-Classicist genre which is also populated by Darius Milhaud and Igor Stravinsky. This style of music quickly became part of French popular music and Bozza was introduced to it at an early age. This inage is one of the mainstays of the solo horn repertoire as well as one of the most difficult pieces overall.


An unaccompanied work for solo fluteImage is a substantial piece that showcases many elements of flute technique including extreme registral and timbral changes and flutter tongue.

Bozza remains frequently played and recorded today Naxos Music Library lists albums with recordings of his works and a YouTube search for Bozza yields thousands of videos. He remains one of the most prolific composers of chamber music for wind instruments. A testament to the universality of his music is that when Bozza died at midnight on September 28,his woodwind quintet Scherzo was being played on Belgian Radio at the request of a listener.

The influx of American and African American soldiers brought new styles and attitudes about music which were assimilated in French villages. His large works—such as symphonies, concertos, and operas—are largely unknown outside of central Europe, but his solo and chamber works are fixtures in music schools throughout the world.

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Nuages for Saxophone Quartet is indicative of the Impressionistic side of Bozza. His father, Umberto Bozza, was a violinist who made his living playing in French casinos along the Mediterranean coast.

Influenced heavily by the jazz culture of New Orleansthis piece explores many styles that might be heard walking around the city such as ragtime and dixieland. Bozza also reminds us of the horn’s roots as hunting horns with frequent calls and responses. However, for whatever reason, very little has been written about his life, especially the earlier years. In Rome, Bozza composed several large-scale works such as his opera Leonidashis Psalmsand the Introduzione and Toccata for piano and orchestra.

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This page was last edited on 24 Novemberat Most modern writing about his past cites a single dissertation, published inby Denise Rogers Rowen about his bassoon music. Aria, a piece written for Alto Saxophone and Piano, draws inspiration from the works of J. Recit, Sicilienne, et Rondo is a solo piece with piano accompaniment that explores both the high and low range of the bassoon. Concerto for Clarinet and Chamber Orchestra is a three-movement uegene and one of 19 concertos written by Bozza.